- who is the hero?
- what constitutes the quest?
- who are the helpers and the antagonists? (this can include people as well as factors)
- do you sense the presence of the narrator anywhere in the text?
- what does the narrator do with the chronology of the events?
- what happens with the narrated time? (does it speed up, slow down, stop, are there gaps?)
- is the plot clear on its own, or is it only understandable within a larger narrative? (if the latter, what is the macroplot?)
- what can you say about the dialogues?*
- what word choices or other style/structure characteristics strike you?
- how is the unit divided? are there further subdivisions?
This list is adapted from Jan Fokkelman, Reading Biblical Narrative: An Introductory Guide (Louisville, K.: Westminster John Knox Press, 1999 ET), as quoted in Provan, Long and Longman, A Biblical History of Israel (also Westminster John Knox Press, 2003), p90.
I was reading aBHoI as I think some more about narrative and history.
my question is: to what extent is it necessary to pursue/argue for/maintain the historicity of the claims to make sense of the text, particularly as one seeks to live a godly life in response to scripture? They (ch4 is mainly V. Philips Long's) argue that because biblical narratives make historical truth claims, 'ahistorical readings are perforce false misreadings' (p81).
i want to think some more on this.
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